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Tag Archives: Literature

‘Love, Death and the Sea’

17 Friday Aug 2018

Posted by juleslewis in Surf

≈ 1 Comment

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Books, Charles Causley, Literature, Poetry, Richard Cobb, Shakespeare, Surfing

IMG_7703

“What we call the beginning is often the end

And to make an end is to make a beginning….”

 Dor

The historian, Richard Cobb, said that a place can only be truly known if explored on foot, and with that firmly in mind, I am wandering, not entirely without purpose, through the empty, partially lit, secretive streets of a small seaside town, in search of an elusive zinc bar or eponymous four table restaurant.

Everything is closed, and with the possibility of eating, and drinking, dissolving at every turn, I have the not entirely sensible idea of paddling in Homer’s wine dark sea, to stand barefoot and carefree in its shallow waters.

I walk on, to where I instinctively imagine the seashore to be, past small, dark, rudimentary dwellings – clumsily adorned like roughly hewn cuckoo clocks – their woodlandish facades edited by Green Men, hacked from the healing wilderness – remnants of once great forests that lament the passing of the wolf and the bear – an idyll in every dark knot and recess; The Pied Piper, Strewelpeter, Kaspar Hauser, the cannibalistic Baba Yaga and the cadaverous beak of Helpmann’s Childcatcher ……’Lollipops’!

There’s a promenade of sorts, albeit unfinished – culminating in a rough and slightly dangerous arrangement of sticks and stones – and with only the lights of the boats to guide me, I stumble over the greasy- green pebbles toward the death of a good idea.

My destination smells of petroleum and cradles the usual predictable refuse. In the twilight, not yet pierced by the hard light of industry, I lose a shoe in the muddy silt and after standing in the slimy opaque water for what seems like an appropriate time – determined to add a touch of romance to the occasion – I turn disconsolately away from the cranes, rubble, and the smell of oil and tar, to make my way back through the unlit streets, where the shutters remain firmly closed and no friendly innkeeper beckons a one shoed man for a nightcap.

Saudade

The small cove is deserted – save for a young man closing a beach front bar and putting the sun beds to bed – as eleven middle aged men, in various stages of decrepitude, arrive to replace the glossy, sun bronzed youth of the day. One of their number asks for a photograph, for posterity, as they stand in line and the shorebreak kisses the slab of beer at their feet. Turning away, they silently paddle out into the cold violet evening waters of the bay, settling to form a circle, beyond the swell, catching the beer cans thrown their way. Some words are said, to a friend who no longer hears them, ashes are scattered and gritty hands submitted to the washing of the water. Later that evening the young man encounters the middle aged men, in the street of the one horse town, places his hand on his heart, and says, that what he has witnessed will stay with him forever.

Now his eyes are bright farthings

And he spindles

In seas deeper than death

His lips are no longer wet with wine

But gleam with green salt

And the Gulf Stream is his breath

 

Now he is fumbled by ancient tides

Among decks flagged with seaweed

But no flag sees he there

His fingers are washed to stone

And to phosphor

And there are starfish in his hair

 

Hiraith

Behind us lay the hills where I played as a child, among the swine houses, Sweyne’s Houses, The Great Sea Lord, walking on the old English hows.  We wait for the ebb tide, near the haunted rectory, gazing westward to the medieval monastic sites of the holms and the lilac blue carpeting of sea lavender, glass wort, yellow flag, bog cotton and brandy bottle.

Donning our wetsuits, a ritual enacted since childhood – both his and mine – the pointing of the foot through the rubber, the pulling of the fabric over each shoulder, the swoosh of the zipper and the familiar nod as we tuck our boards under our arms and make ready to leave the land.

I stand next to him on the cold grey rock, waiting for the swell to fill the pool, content to be in his company, father and son linked by blood and shared history, no blame, no shame, just the us-ness of us.

I sense my hand reaching out, to muss his hair as I did when he was a child, but hesitate, anxious not to break our silent bond

 Cynefin

I cast a glance when he is not looking. My eldest, tall, lithe, graceful, but not yet as strong as he should be, silhouetted against the bright, tight drama of the bay. He catches me and smiles, I look shyly down, at the rivulets of sea foam meandering through my ugly disfigured toes, reflecting on his years of illness and endless hospital stays, the toll it has taken on us both and the realisation that whatever one tries to recapture has always already gone.

 ‘Like to the lark at break of day arising,

from sullen earth sings hymns at heaven’s gate;

For thy sweet love remembered such wealth brings

that then I scorn to change my state with kings’.

 

 

 

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‘I tread the sand at the sea’s edge’

28 Wednesday Dec 2016

Posted by juleslewis in Musings, Surf, Travel

≈ Leave a comment

Tags

Authors, Biarritz, Books, France, George Orwell, Herman Melville, Jonathan Swift, Landscape, Literature, Surfing, Travel, Vernon Watkins, William Maxwell

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My father walks toward me up the beach his spare frame silhouetted against the sparkling sun. ‘Breathe deeply boy’ he says as he ruffles my hair. I look into his eyes the colour of the sea and realising  a cat has my tongue bury my head in the warmth of my faithful dog’s neck seeking comfort and reassurance in her familiar smell. I am asthmatic and the sea makes me well. It is why we came here.

A daydream takes me to our house in the hills and the grave of the unknown, unnamed, tortoise. He ran away, finding temporary refuge amid the wreckage of my grandmother’s desk – a Christmas present compromised by my father’s ill-timed gift of a tool set – perhaps he had an inkling of what was to come. The doctor says that if we get rid of the animals it will help my breathing. Snowy the rabbit is adopted and subsequently eaten by the neighbours. We are unable to part with the dog.

 ‘The darkness is not dark. Nor sunlight the light of the sun’

Eight summers pass when Alan speaks to me walking by on a startling, sea shimmering, summer morn with salt in his hair and a smile on his face. ‘Why don’t you follow me out’ he says. Squinting upward, I place my trust in him tuck my beloved and battered surfboard beneath my skinny arm and allow him to shepherd me through the rip next to the pier. Forty years later I place my hand gently onto his casket and say goodbye.

 ‘And they were behind us, reflected in the pool. Then a cloud passed, and the pool was empty’

 Major Matt Mason sinks slowly beneath the glossy mirror of the mossy moat. Calisto, despite the enormous brain straining against the confines of his transparent green skull, is unable to save his friend. I grasp the Major’s clumsily articulated armature as my father grasps mine as I dive downward. I gaze into those grey eyes once more and recall our journey home from school, the day my brother died, remembering that he buried him alone in the winter rain.

Adrian and I fail to hear Akela’s footsteps on the creaking boards of the scout hall, blissfully unaware of our impending dishonourable discharge. Adrian is my best friend. His father Jack a fine cricketer. But to Ade and I he is better known as a singer, immortalised by his unforgettable, some might say unforgivable, rendition of Al Martino’s ‘Spanish Eyes’. Jack has a lingual protrusion lisp and the line ‘Please say Si Si’ reduces us to helpless laughter. Akela’s glare is far from benign as she spots the crescent shaped bite mark on my thigh and the cartoonesque, egg-shaped lump protruding from Adrian’s forehead. The old wolf uses her wisdom to expel us from the pack, confiscating our woggles and consigning us to the wilderness, like Jason McCord in Branded, to forever fight for our good names.

 Dad’s a rugby man, regularly and eagerly watching as I shiver on the touchline, my skinny, hairless and mottled knees knocking in the bitter northeasterly wind.  I place my frozen hands inside my thin cotton shirt to warm them against my unfilled out torso and wait for the pass that never comes. Checking my opposite number, I accurately guess that he’s been picked for size rather than speed. His fledgling moustache and probable pubic hair suggest that we cannot possibly be in the same academic year. If we are my folks just don’t have a big enough larder.

The ball comes above my head, exposing my bare sinewy midriff. I gather the greasy ball, with stiff little fingers, just as the overfed progeny of Brobdingnag  cuts me in two with a scything tackle that sees me crumble like a Corinthian column in an earthquake. Bundled into touch – where another large and ungainly lad falls on me – I overhear a cry of ‘Who’s that kid on the wing’ and imagine the expression on my father’s face.

 ‘I tread the sand at the sea’s edge’

 ‘What do you think he does all day’ my mother asks?

Becoming an ordinary surfer is a difficult task, but becoming a good one, one that people look up to, well that’s another story….This is how I spend my time.

 The lefthander is technically difficult, requiring one hard turn, mid face, followed by a series of rapid pumps to trim, drive, and out run the crashing lip. I am flying down the line, pushing hard on the first third of my board to flatten the rocker, simultaneously keeping my toe rail down to maintain glide along the fast moving wall. I alternate with pressure on my heels to stop the inside rail from being sucked up and pitched by the lip. Subtle changes are transmitted from my feet to my brain as the water draws off the bottom and the wave disembowels itself on the rocky slab. I take another, staying close to the hook so I can feel the foam-ball spit and spray my back like a fire hose, testing the limits of the board, the bite of the inside rail, the whip of the tail, the alignment and cant of the fins. Oh how they sing at speed.

Over dinner, silently pondering minor adjustments and the shape of my next board. I conclude that talking would make me sound like Orwell’s ‘rattling stick in a swillbucket’ and besides, I don’t like the sound of my breaking voice. My father glares at me, but I am fourteen and have long stopped listening to my father.

I feel my mother’s eyes on me, as I prepare for my first big trip, and wonder what she makes of her one remaining son. A poorly designed wetsuit seam has reduced my belly button by half over the summer, and my left foot, strapped with duct tape, has a wound that fails to heal as I refuse to stay out of the water. Add to this knees full of skating grazes, permanently bloodshot eyes, a condition called surfers ear and a mop of unruly, unwashed, salt encrusted hair. Despite, or perhaps because of this, she kisses me on the forehead and with a tear in her eye holds me just a little too long.

The first trophy is hard earned in double overhead surf. ‘The kids ok in the small stuff, but lets see how he does when it gets bigger’. Hiding it behind my back I try to look disconsolate in front of my girl – who has a Saturday job in the pet shop – but she can tell I’ve won and laughing loudly tosses her dark hair that smells of birdseed and pony nuts.

Pushing through the crowd at the water’s edge, away from the American and Australian surfers who’ve consigned me to an ignominious first round exit from the contest, I avoid Sylvie’s sympathetic smile realising that no matter how good I think I am, I’m not in their league. Sylvie returns to Biarritz knowing that I do not love her enough to follow. I return home to race rats and do not surf again for seventeen years.

 ‘Time past and time future. What might have been and what has been.’

In the waveless world of the city, where my wife grew up and my boys were raised, it’s difficult to imagine the sea, and  when I dream of home it is not as it is now. Unnatural and false full regularly appearing in colour supplements, its caramelised onions and cappuccinos fortifying overindulged, overfed, middle aged alphas, unforgivingly shoehorned into shorties by their mean lipped, male hipped wives, before their next bespoke tutored surf session. Once the epitome of cool, my sport is neatly packaged as a lifestyle choice and used to peddle  4×4’s, seaside property and life insurance for the newly retired. I don’t begrudge them their fun, but they belong on paved sand-less streets not on the last of the country’s uncommitted land, their baby soft feet weeping for the safety of shoes.

‘The free person who runs away is no better off than a fish with a hook in his mouth, given plenty of line so he can tire himself out and be reeled in calmly and easily by his own destiny’ 

Leaving the warm car in the leaf strewn lane I strike out alone down the sheep strewn banks where livestock once walked to market. Past the simple castles – mounty banks – their battlements crushed by the Normans and where Edward I danced a jig on the bones of Llewellyn the Great. Past the ancient caves, facing south into the meagre warmth of the ice age sun, where Eynon once walked with the sea in his blood and the rain on his face, his feet bare and damp, like mine, on the dew of the new morning’s marram grass. Through a cleft in the valley I glimpse the silver grey faces of the new swells, polished by the oarweeds and marching to the mournful sound of the sea bell, the legends of the drowned churches, and the incandescence of the dead.

‘Sweet fields beyond the the swelling flood, Stand dressed in living green’

Entering the chill water, its surface the colour of armour, I push out relieved to escape the land and the incessant nanny ping of the cell phone. Quiet now save for the saw of the wind and the siren call of the sea. ‘Breathe deeply boy ‘ it says.

‘The end precedes the beginning, and the end and the beginning were always there, before the beginning and after the end.’

 

 

 

 

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“A Bookless World”

27 Tuesday Aug 2013

Posted by juleslewis in Books

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Authors, Literature, Robertson Davies, Samuel Marchbanks

“The Diary of Samuel Marchbanks” by Robertson DaviesIMG_0319

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